Track | Artist | Album | Year | Genre |
---|---|---|---|---|
Lady Ice (2010 Remastered Version) | Arcadia | So Red The Rose | 1985 | Synth pop, New wave, Art rock, Experimental music |
Shine On You Crazy Diamond, Pts. 1-5 (2011 Remastered Version) | Pink Floyd | Wish You Were Here [Remastered] (Remastered Version) | 1974 | Progressive rock, Art rock, Psychedelic rock, Fusion, Space rock |
Köln, January 24, 1975, Pt. I (Live) | Keith Jarrett | The Köln Concert | 1975 | Jazz, Classic music, Instrumental, Blues, Gospel |
Köln, January 24, 1975, Pt. II A (Live) | " | " | " | " |
Köln, January 24, 1975, Pt. II B (Live) | " | " | " | " |
Köln, January 24, 1975, Pt. II C (Live) | " | " | " | " |
Ocean Cloud | Marillion | Marbles | 2004 | Neo-progressive, Alternative Rock |
The Way Up: Opening & Part One | Pat Metheny Group | The Way Up | 2005 | Jazz, Jazz Fusion |
The Way Up: Part Two | " | " | " | " |
The Way Up: Part Three | " | " | " | " |
I. Overture | Dream Theater | Six Degrees of Inner Turbulence | 2002 | Progressive metal |
II. About To Crash | " | " | " | " |
III. War Inside My Head | " | " | " | " |
IV. The Test That Stumped Them All | " | " | " | " |
V. Goodnight Kiss | " | " | " | " |
VI. Solitary Shell | " | " | " | " |
VII. About To Crash (Reprise) | " | " | " | " |
VIII. Losing Time / Grand Finale | " | " | " | " |
The Turn Of A Friendly Card (Part 1) | The Alan Parsons Project | The Turn Of A Friendly Card | 1980 | Progressive rock, Art rock, Symphonic rock |
Snake Eyes | " | " | " | " |
The Ace of Swords | " | " | " | " |
Nothing Left to Lose | " | " | " | " |
The Turn of a Friendly Card, Pt. 2 | " | " | " | " |
Concerto Movement #1 - Westward Expansion | John Patitucci | Heart of the bass | 1992 | Jazz, Symphonic, Instrumental |
Concerto Movement #2 - After The Storm | " | " | " | |
Concerto Movement #3 - Mardi Gras | " | " | " | |
Octavarium | Dream Theater | Octavarium | 2005 | Progressive rock, Symphonic rock |
Nel Cielo E Nelle Altre Cose Mute (Do Largo) | Banco Del Mutuo Soccorso | ...Di terra | 1978 | Progressive rock, Symphonic rock, Instrumental |
Terramadre (Sol Improvviso) | " | " | " | |
Non Senza Dolore (Chorale In Fa Minore) | " | " | " | |
Lo Vivo (Fusione Per Trenta Elementi) | " | " | " | |
Né Più Di Un Albero Non Meno Di Una Stella (Do Gruppo) | " | " | " | |
Nei Suoni E Nei Silenzi (Pulsazioni In Si) | " | " | " | |
Di Terra (Sagra In Sol) | " | " | " | |
Shine On You Crazy Diamond, Pts. 6-9 (2011 Remastered Version) | Pink Floyd | Wish You Were Here [Remastered] (Remastered Version) | 1974 | Progressive rock, Art rock, Psychedelic rock, Fusion, Space rock |
Happiness Is the Road | Marillion | Happiness Is the Road, Vol. 1 | 2008 | Neo-progressive, Alternative Rock |
October 17, 1988 (Live At Salle Pleyel, Paris / 1988) | Keith Jarrett | Paris Concert | Jazz, Classic music, Instrumental, Blues, Gospel |
Actually, not just conceptually, but also in terms of duration.
We barely have time for anything, nowadays.
Has it started flowing faster and we, as dragged as we are by its impetuous course, we feel this increased sense of urgency?
Or, rather, does it flows like it used to do at the time of the dinosaurs, or at the time of the pharaohs, but it’s just us, who stuff it with way too many things? A hint of this second hypothesis would be the fact that we multitask way too much, subdividing crumbles of our attention between plenty of layers of reality.
What kind of music can best suit such a crowded agenda?
Too often we may be tempted – and plenty of temptations are “generously” provided by the music industry, indeed – to revert to music which is as thin as a veil of rain on a stone, as shallow as a pool on the cupping bent surface of a dead leaf.
Music which will certainly entertain us, but won’t probably aim, per its conception and birth, to provide us with more content than that: our entertainment.
A good comparison (but trite, I know) is that with food: for music is something that we absorb, something which flows from our ears, through our brain, to our inner self, leaving traces, interacting with parts of us and changing them, and us, whether by enhancement or attenuation, or even by burial or revelation… taking seriously in account the permanent effect music has on us, doesn’t it sound safer to rather pay attention to which kinds of score we let comment on our lives, to which kind of auditory food we feed ourselves with, and to enjoy it, while we’re at it?
Nothing better (and more revolutionary), then, in these hasty times, than taking in some music which comfortably takes all the time it needs to develop its discourse and reveal, progressively, its concealed treasure, to those who are patient enough.
There are songs, epics, suites, in this playlist, which, no matter a subdivision in tracks that may be in part justified by movements, segments of music different in style, rhythm, meaning, and in part by the discographical need to provide some titling and timing to let the listener orient themselves in the long flux of sound, last, such songs, half a hour or even a whole hour, and you can perceive, by listening, how the music keeps flowing from track to track, because that’s how they were conceived, as a whole.
You’ll find plenty of jazz and progressive, and some metal, too, and a flood of classical (or neo-classical) music, and sparkles of blues and rock… there’s something for almost any taste, I dare to say.
And you’ll find beauty, if you’ll dare to put your patience to test, and that’s a more than valid reason, in my opinion, to make the effort to take this mammoth playlist: that to let it fill your inner being with beauty.
After all, don’t they say, “no pain, no gain”? But I believe you won’t feel pain, listening to is. Just wonder and bliss, I dare to predict.
Happy listening,
Daniele
Add Comment